Descobri esse programa fabuloso do John Lurie (este espisodio featuring Tom Waits) chamado "Fishing with John". O engraçado e que a pessoa nao tem noçao alguma sobre pescaria. Duca.
Completamente abestalhada com ele nesse filme. Já tinha me encantado em "Marcas da Violência", filme que amo. Virou total alterego do Cronenberg. E agora ele vai ser o Pai numa adaptação pro cinema de A Estrada.
Vou olhar para cima e falar: "Quem sou eu então? Primeiro me digam isso, se eu gostar de ser essa pessoa vou subir. Se não gostar, vou ficar aqui em baixo até ser outra pessoa"...
"A vida tornava-se menos facil: quando o corpo esta triste, o coraçao perde as forças. Parecia-me desaprender em parte o que nunca havia aprendido e que, no entanto, sabia tao bem, isto e, viver."
Camus em "A Queda"
gracias meme, to adorando. e meu teclado ta uma mierda.
O Paul Thomas Anderson falou que assistia toda a noite O Tesouro de Sierra Madre enquanto filmava. E O Daniel Day Lewis que se inspirou na voz de John Huston para compôr seu personagem.
Mas que filme bom!
quarta-feira, 13 de fevereiro de 2008
GrowGrow Grow I sowed a seed Underneath the oak tree I trod it in With my boots I trampled it down GrowGrowGrow I sowed a rose Underneath the oak grove With my boots on the ground Into the earth I trampled it down GrowGrowGrow Teach me how to... Teach me how to... Teach me, Mommy How to grow How to catch someone's fancy Underneath the twisted oak grove
“THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART!” Metropolis (1927)
“Yes, I can see now.” City Lights (1931)
“Victory is ours!” Duck Soup (1933)
“It's Mrs. Danvers. She's gone mad. She said she'd rather destroy Manderley than see us happy here.” Rebecca (1940)
“I had to do it, Lewt. I had to do it.” “Of course you did. Let me hold ya.” “Just hold me. Hold me once more.” “Little bob-cat.” Duel in the Sun (1946)
“No, I'm grateful to you. Because, thanks to you, I think I will be able to keep my faith in men.” Rashomon (1950, Jp.)
“…You see, this is my life. It always will be! There's nothing else - just us - and the cameras - and those wonderful people out there in the dark. All right, Mr. De Mille, I'm ready for my close-up.” Sunset Boulevard (1950)
“You want to know something, Leslie? If I live to be ninety, I'm never going to figure you out.” Giant (1956)
“God help us in the future.” Plan 9 From Outer Space (1959)
“Did you hear what I said, Miss Kubelik? I absolutely adore you.” “Shut up and deal.” The Apartment (1960)
“Cat, cat!” Breakfast at Tiffany’s (1961)
“How do you find your way back in the dark?” “Just head for that big star straight on. The highway’s under it - it’ll take us right home.” The Misfits (1961)
“Mein Fuehrer, I can walk!” Dr. Strangelove, Or:… (1964)
“I am George.” “Who's afraid of Virginia Woolf?” “I am George, I am.” Who’s Afraid of Virginia Woolf? (1966)
“I was cured all right.” A Clockwork Orange (1971)
“Mediocrities everywhere. I absolve you! I absolve you! I absolve you! I absolve you! I absolve you all!” Amadeus (1984)
"This picture takes place in Paris in those wonderful days when a siren was a brunette and not an alarm --- and if a Frenchman turned out the light, it was not on account of an air raid!” Ninotchka (1939)
“Last night, I dreamt I went to Manderley again.” Rebecca (1940)
“R-O-S-E-B-U-D.” Citizen Kane (1941)
“Deep among the lonely sun-baked hills of Texas, the great and weatherbeaten stone still stands. The Comanches called it Squaw's Head Rock. Time cannot change its impassive face, nor dim the legend of the wild young lovers who found Heaven and Hell in the shadows of the rock...” Duel in the Sun (1946)
“To me a dollar was a dollar in any language.” Gilda (1946)
“Yes, this is Sunset Boulevard, Los Angeles, California. It's about five o'clock in the morning. That's the Homicide Squad - complete with detectives and newspapermen. A murder has been reported from one of those great big houses in the ten thousand block. You'll read about it in the late editions, I'm sure...” Sunset Boulevard (1950)
“Somebody's comin', Pa.” “Well, let him come.” Shane (1953)
"Greetings, my friends! We are all interested in the future, for that is where you and I are going to spend the rest of our lives. And remember my friends; future events such as these will affect you in the future. You are interested in the unknown, the mysterious, the unexplainable; that is why you are here. And now for the first time we are bringing to you the full story of what happened on that faithful day. We are giving you all the evidence, based only on the secret testimonies of the miserable souls who survived this terrifying ordeal. The incidents, the places, my friends, we can not keep this a secret any longer; let us punish the guilty, let us reward the innocent. My friends, can your heart stand the shocking facts about the grave robbers from outer space?" Plan 9 From Outer Space (1959)
“Don't tell me, you didn't know it was loaded.” Charade (1963)
ovazio alimenta o vazio e me engole
sexta-feira, 8 de fevereiro de 2008
BITTERSWEET............
"Deus recortou a alma de Paulicéia num cor de cinza sem odor... Oh! Para além vivem as primaveras eternas!... Mas os homens passam sonambulando... E rodando num bando nefário, vestidas de eletricidade e gasolina, as doenças jocotam em redor..."
And when the body finally starts to let go let it all go at once not piece by piece. but like a whole bucket of stars dumped into the universe. Whoooh! Watch it go! Good-bye small hands, good-bye small heart good-bye small head My soul is climbing tree trunks and swinging from every branch They're calling on me, they're calling one me... Do you think I'm an animal? Am I not? Do you like fur Do you wanna come over Are we captive only for a short time Is there splendor, I'm not ashamed Desire shoots through me like birds singing (The way you move no ocean's waves were ever as fluid) They're calling on me, they're calling one me... I hit the mark! I target moon, I target sky, I target sun. Fall down on the world before it falls on you. Like beggars, like Stars, like whores, us all Like beggars, like dogs Like Stars, us all Shoot straight for my heart (And when you were near no sky was ever quite so clear) Like stars, so small Like us. when we fall Like beggars, like whores Like lovers, Get Up! Get up...too far.
Desde que vi Paranoid Park não consigo ouvir outra coisa que não seja Nino Rota. As trilhas que ele fez para o Fellini. O Gus Van Sant conseguiu usá-las de uma maneira genial. Não vou nem botar trailer do youtube porque só assistindo o filme.
O que fazer num dia de chuva como esse? Pegar sua pessoa preferida, ir para Liberdade, entrar num restaurante japonês, mas um de verdade, nada desses metidos a finos e modernos. Fui uma vez num que fica num hotel lá que seria perfeito, só tinha japoneses e beirava o kitch na medida certa. Pedir ao garçom sashimi e saquê " and keep them coming." E torçer para a chuva não passar.
Dear Darkness - PJ Harvey The First Season - John Frusciante Laura - Vicent Gallo Recollections - Miles Davis Alone in Tokyo - Air City Girls -Kevin Shields Laura Palmer´s theme -Angelo Badalamenti Petite Piece - Claude Debussy All my trails - Nick Drake Absolute Beauty is an Absolute curse - John Parish